Literatura de los Siglos de Oro

convivium@utsa.edu

The objective of this conference is to examine the impact and effect Cervantes' masterpiece has had in the imagination of the different Western cultural traditions since its first publication four hundred years ago.Send title and abstract of paper, in English, French, German, Italian, Japanese, Russian or Spanish, by July 1st, 2005 to:Prof. Santiago Daydi-TolsonDepartment of Modern Languages and LiteraturesThe University of Texas at San Antonio6900 North Loop 1604 WestSan Antonio, Texas 78249-0644For electronic submission send Word e-mail attachment to: convivium@utsa.edu

Enseñanza de la lengua

delgado@bucknell.edu

Call for Papers- Manuel Delgado, Division Chair for 2005, is the contact person for all three sessions on Sixteenth- and Seventeenth-Century Spanish Drama.Any MLA member wishing to read a paper at the 121st Convention should send him a one-page abstract electronically to his institutional address: delgado@bucknell.edu The deadline for submission of one-page abstracts for all three sessions is the following: 5 PM -- Friday -- 11 March 2005.Ver la convocatoria completa

Literatura de los Siglos de Oro, Teoría de la literatura

Professional and collegiate performing groups from Mexico, Spain, South America and the United States will perform classic works by Miguel Cervantes, Lope de Vega, Sor Juana Inez de la Cruz and Pedro Calderón de la Barca. All presentations in Spanish unless otherwise noted. Admission is FREE.

Literatura de los Siglos de Oro, Literatura peninsular

Orlando_Alba@byu.edu;Blair_Bateman@byu.edu

The concept of the frame has received much attention in recent years in such varied fields as linguistics, philosophy, cognitive science, art history, and literary studies. In spite of the numerous differences in terminology in these areas of study, a common notion emerges of framing as that which makes human signification possible. That is to say, there has to exist some kind of basic schemata before there can be any experience of communication, understanding, perception or identity. Although art history has often taken for granted the frames of paintings, Derrida has suggested that the very (im)possibility of an art work's meaning may hinge on its ambiguous relationship to its own frame. Cervantes' masterpiece contains many examples of the frame in literature, which Genette describes as the framing devices of paratexts: prefaces, introductions, mises en abyme, and frame-stories. The objective of the conference is to spotlight the myriad manifestations of framing in the Quijote . How does the protagonist's unique view of the world square with the basic schemata of agreements and conditions that govern so-called ordinary perception? What is the relation between the characters' traversing of narrative frames in Don Quijote and the deconstruction of framing in the visual arts? In what ways do the numerous episodes of ethnic or gender performance in the novel serve to problematize or subvert identities rigidly enframed by the conservative religious and political ideologies of Cervantes' world? In what literary, artistic or musical works constituting part of the legacy of the Quijote do we find possibilities of re-crossing the frame of Cervantes' text in ways that would enable us to read it anew? The celebration will include:- Images of the Quixote, a collection of books and prints from the Hispanic Society of America to be displayed in Brigham Young University¿s Museum of Art.- A manuscript and book exhibit in the Harold B. Lee Library Special CollectionsA performance of Fuente Ovejuna by the Brigham Young University Theater Department.- Guest speakers Marina Brownlee, Thomas Lathrop, Michael McGaha and Eduardo Urbina. Honorary Chair, Ed FriedmanSubmit abstracts by March 1, 2005

Literatura de los Siglos de Oro, Literatura peninsular

spo@princeton.edu

Literatura de los Siglos de Oro, Literatura peninsular

johnson@humnet.ucla.edu

En honor al cuarto centenario de la publicacion de Don Quijote I (1605) se ha ampliado el formato de la celebración tradicional (un día) a tres días de ponencias e intercambios entre cervantistas. Se contará con la presencia de un cervantista de reconocido prestigio internacional, una de las grandes figuras del hispanismo mundial, Augustín Redondo (Université de la Sorbonne Nouvelle, París), que ofrecerá la conferencia plenaria. Los demás ponentes son todos investigadores jóvenes o a media carrera cuyos trabajos van reorientando y redefiniendo los estudios cervantinos de cara al siglo XXI.Conferenciante de honor: Prof. Augustín Redondo (Sorbonne Nouvelle, Paris)Ponentes:Jesús González Maestro (Universidad de Vigo)James Iffland (Boston University)William Childers (Brooklyn College, CUNY)Bryant Creel (University of Tennessee, Knoxville)Eric Mayer (Central Washington University)Steven Hutchinson (University of Wisconsin, Madison)Mercedes Alcalá Galán (University of Wisconsin, Madison)Sherry Velasco (University of Kentucky)Cory A. Reed (University of Texas, Austin)Bruce Burningham (University of Southern California)David Castillo (University of Oregon)Tom Lathrop (University of Delaware)Daniel Eisenberg (Editor, Cervantes)Iluminada Amat (University of North Carolina, Chapel Hill)Benjamin Liu (University of Connecticut)Barbara Simerka (Queens College, CUNY)Forman parte del comité organizador del simposio: Luis Andrés Murillo (University of California, Berkeley, emeritus)James A. Parr (University of California, Riverside, President Cervantes Society of America)Bruce Burningham (University of Southern California)Enrique Rodríguez Cepeda (UCLA)Carroll B. Johnson (UCLA). Se cuenta con el apoyo y participación de la Oficina de Educación del Consulado General de España en Los Ángeles.

Literatura de los Siglos de Oro

cenabq@cervantes.es

Literatura de los Siglos de Oro, Literatura peninsular

e-urbina@tamu.edu

Contacto: Eduardo Urbina e-urbina@tamu.edu

Estudios culturales, Literatura de los Siglos de Oro, Traducción

cultny@cervantes.es

Se reunirán seis traductores de 'El Quijote', en lengua inglesa, holandés, japonés, francés, alemán, árabe y ruso, para hablar de sus experiencias y dificultades, y de los resultados esperados e inesperados de la transculturación de 'El Quijote'. Participantes:Jean Canavaggio, Universidad de París X - Nanterre. Edith Grossman, traductora. Susanne Lange , hispanista y traductora. Bárbara Van der Pol , escritor.

Literatura de los Siglos de Oro, Literatura peninsular

renaissance@newberry.org;

Program- Session I The Newberry LibraryChair:Frederick de Armas, University of Chicago9:30.- Coffee and other refreshments 10:00-10:30. - "El Quijote: un arte de sentir y gustar"Dominique de Courcelles, Collège Internationale de Philosophie (Paris)10:30-11:00.- "The Presence of Leone Ebreo's Philosophy of Love in Cervantes"Armando Maggi, University of Chicago11:00-11:30. - "At the Margins of Don Quijote"Charles Ganelin, Miami University11:00-11:45. - Coffee break11:45-12:15.- "Queen Caroline's Merlin Grotto and the 1738 Lord Carteret edition of Don Quixote". Amanda S. Meixell, Susquehanna University12:15-1:00.- "Performing Identities in Don Quijote and Being John Malkovich"Barbara Simerka, Queen's College/CUNY and Christopher Weimer, Oklahoma State University- Session II The Newberry LibraryChair: Charles Ganelin, Miami University2:00-2:30.- "TBA"Patricia Grieve, Columbia University2:30-3:00.- "Women and poverty in Don Quixote: The case of Aldonza Lorezo and Teresa Panza"Rosie Hernández Pecoraro, University of Illinois, Chicago3:00-3:30.- "Desperate Shepherdesses: Cervantes'La Galatea and the Portrayal of (Desperate) Women in the Pastoral"Benjamin J. Nelson, University of Chicago3:30-4:00.- "The Rain in Spain Stays Mainly on the Barber's Basin"Sherry Valesco, University of Kentucky4:00-4:30.- "Labyrinthine Fictions: The Madness and Folly of Imitation in Sierra Morena"Horacio Chiong Rivero, Swarthmore College- Session IIIThe Instituto Cervantes - The John Hancock Tower, 875 N. Michigan Avenue, 29th floor5:00: Keynote lecture.- "El Quijote traducido"Carlos Alvar, Universidad de Alcalá (Madrid)RegistrationWhile there is no fee to attend this event, participants should register in advance. To register please call the Center for Renaissance Studies at +1 312 255 3514, or send an e-mail to renaissance@newberry.org. Funds are available for graduate students and faculty of Consortium institutions to travel to the Newberry Library to attend the Cervantes Symposium. If you have any questions, please contact the Center for Renaissance Studies.