Hispanet

Volumen 6 (2013) «Hispanic Monsters, Ghosts, Devils, and Orishas in Latin American and Peninsular Literature, Film, and Music» Articles: I. Enfermedad y abyección / Illness and Abjection 1 «El confesor de monstruos»: Alfonso Hernández Catá y el gótico.” Sandra Casanova-Vizcaíno, Department of Romance Languages, University of Pennsylvania. 2 Ricardo Piglia’s Schizophrenic Machine: The Madness of Resistance in La ciudad ausente. Eunice Rojas, Modern Languages Department, Lynchburg College. 3 La construcción de nuevos lazos familiares para superar el duelo y la melancolía: El Dock de Matilde Sánchez y El grito de Florencia Abbate. Dánisa Bonacic, Modern Languages Department, Simmons College. II. Mujeres objeto / Objectified Women 1 Motivation Behind Fear in Lucía Etxebarría’s En brazos de la mujer fetiche. Elizabeth S. Gunn, Department of World Languages, Morgan State University. 2 “La serrana de la Vera y la construcción de los monstruos sexuales femeninos. Francisco García Rubio, Department of Modern Languages, University of Louisiana at Lafayette. 3 Brazil’s Stepford Wives: On Fertitity, Consumption, and Objectification in Clarice Lispector’s Laços de familia. Aarti S. Madan, Department of Humanities and Arts, Worcester Polytechnic Institute. III. El cuerpo poseido / The Possessed Body 1 Narrow Skulls and Vile Flesh: The Failure of Female Anatomy and Feminist Critique in Rafael López de Haro’s En el cuerpo de una mujer . Leslie M. Kaiura, Department of Foreign Languages and Literatures, University of Alabama in Huntsville. 2 Bodies Scared Sacred at the Crossroads: Vodou Loa Erzulie in Mayra Montero’s The Red of His Shadow and Ana-Maurine Lara’s Erzulie’s Skirt. Josune Urbistondo, Modern Languages and Literatures, University of Miami. 3 Vampirism, Catholicism, and Colonialism in Gabriel García Márquez’ Of Love and Other Demons. Mary Kate Azcuy, Department of English, Monmouth University. IV. El gótico histórico / Historical Gothic V. Historias siniestras /Uncanny Stories VI. Esperpento / Grotesque Deformations [...]

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